After two books of the Gabriel Allon series (one early, and one late in the series), I can say that Daniel Silva is one of my favorite authors of the Spy Thriller. Not as psychologically dense as Le Carre, but not soulless, Silva seems to have a good balance between the psychology of the character and the action of a thriller.
I'm never sure whether to start with what I liked or what I didn't like about a book. I really liked this book, and I thought the second half was much stronger than the first half. I got tired of being reminded by the narrator that he used to be a cop in Boston for the first third of the book, and that a good half of the book kept throwing in his motivation (Diana) as an afterthought. All sorts of things would happen in a chapter, and then, oh yeah, I am worried about Diana and hope I get to go looking for her. But once Diana came back into the picture, it was solid. The motivation was real, and the experiences mostly felt honest. All-in-all, I thought it was a solid espionage thriller, but average for the genre based on my comments above. Sadly, and not the author's fault, but the copy editor(s) did a terrible job, and there were many mistakes that went into the printing.
The author used a lot of nostalgic language and cliches, but I got a lot of good facts out of this book as well.
Call me sentimental, but I loved this book. A memoir written in my town by a man who is five years younger than I, dealing with evangelical Christians. I did not grow up in a house like Hartzler. I probably would have committed suicide. (But maybe not. If you grow up in that, it is all you know.) I did, however, adopt some of these attitudes about life from my involvement through a youth group through my church. Instead of being imposed by his parents, I internalized that myself. I quit listening to the "devil music" of my own accord, whereas Hartzler sought it out himself. I didn't have the aversion to TV or movies, though. And the fact that my home was not the source of my brush with evangelism probably kept me from delving too far into it.
I have a fascination with religion and what it provides, outside of hope for salvation, and how I might be able to incorporate it in my life. In fact, that's why I will sometimes attach myself to a liberal church that doesn't seem to care much that I think of myself as a pantheist. Since the book dealt with that very subject matter (what religion has to offer for the non-believer), and since I really loved Botton's How Proust Can Change Your Life, I snatched it up in a second when I saw it on display in the bookstore.
Soccer was just on the edges of my radar in high school since we had a team. I went to a few games and was friends with the players. It drifted toward the center of my radar when MLS formed and my city had a team. As my interest in gridiron football waned over the years, soccer has moved to dead-center of my scope. This book mirrors that in many ways, and I think much of America is headed the same way.
How cozy. If one can remember it's not a police procedural, but a "cozy," then it's an enjoyable diversionary read. I felt some of the dialogue was stiff, but again, I overlooked it and just enjoyed it for what it is.
I'm a little torn on whether to give this three or four stars. I was bored with the portion of the story that took place on land, and the romancing of the ladies. Let's face it. The reason to read the Aubrey-Maturin series is for the bromance. There were great scenes between the two in this book, but sometimes the bitches got in the way.
Would it surprise you that it is a bit dated? It was published 118 years ago. Considering it in its context, I give it four stars.
Another strong book by Levithan, but the end left me wanting, and expecting, a sequel.
This gave me a better understanding of how RSS works and how people promote their blogs. I still don't know if I want to jump into that.
This book took a very long time to develop, but that's typical of John le Carre, isn't it? When the psychological state of the protagonist is the most important driving factor, it takes time to build to that point of action. But even when you reach that point in The Mission Song, it isn't enough to rank this among le Carre's greats. It took me a long time to care enough to finish the book, and even when I did, the victims who were going to be affected by the "operation" were faceless and distant, making it hard to care. Perhaps this is le Carre's point.
Fantastic writing. Three genres in one. Section one: a ghost story. Section two: a police procedural. Section three: a sci-fi tale. The only thing I thought was lacking was a more definitive ending that wrapped up the ties between all three tales.